Desanges, D. (2020). Understanding the monster : Challenging negative images of spiders with Adrian Tchaikovsky's 'Children of Time' (Thesis). Tampere University, Finland. https://trepo.tuni.fi/handle/10024/122422

Lehmann, Z. C. (2021, 7-10 April). Narratives of human inheritance in Adrian Tchaikovsky’s ‘Children of Time’ and ‘Children of Ruin’. [Conference presentation]. British Society of Literature and Science Annual Conference. Online. https://www.bsls.ac.uk/conference/

Pisarski, M. (2021). Human, super-human, anti-human: The posthuman deep future in evolutionary science fiction. World Literature Studies, 13(1), 3-17. https://www.ceeol.com/search/article-detail?id=961990

Patra, I. (2022). A post-anthropocentric explication of the posthuman world-building in Adrian Tchaikovsky’s the Doors of Eden. Critique: Studies in Contemporary Fiction, 63(1), 108-122. DOI: 10.1080/00111619.2020.1830022

Patra, I. (2022). Challenging the boundaries between humanity and animality: Becoming(s) in Adrian Tchaikovsky’s Echoes of the Fall Trilogy. Critique: Studies in Contemporary Fiction. DOI: 10.1080/00111619.2022.2064210

Zahariev, F. R. (2023). Evolution and dying earths: Posthuman utopias and anthropocentric dystopias in Adrian Tchaikovsky’s ‘Cage of Souls’ and ‘Children of Time’ (Master’s thesis). Lund University, Sweden.

Murphy, R. R. (2024). How much initiative should a service robot have? Science Robotics, 9(96), eadt8902. DOI: 10.1126/scirobotics.adt8902